i can't kick this feeling when it hits

mixes, podcasts, videos, and other aural delights

Monday, May 29, 2006

**Lord G mix (new!)

I asked Lord G if he had a mix, and this is what he brought me. You may have heard of Lord G, but not really know what he sounds like. This mix starts out softly, with pretty deep house, and builds up through latin, tribal, and tech. Nice work! We hope you will join us for the next edition of Beyond with guest Lord G, celebrating his birthday, and residents EMan and Lola. Thursday June 15 at APT, 419 W. 13th St., 10pm, $7, $5 with rsvp to
info@mochilab.com.




Click the flyer above for more info.

lordG_052006: right click and "save as" to download

Our fifth stimulus > response at Love was a great success. We shut down around 6:30am. I started out early, spinning 10-12:30. A big thanks to all the folks who came out early to hear me play: Richie, Ola, Loose, Lauren, Sabine, DC, Lord G, and those funny folks who started out the dancefloor super early around 10:15pm and announced themselves "we are the first people here...woooooo!" That's what I like to see :)

The system at Love is a monster. The booth had me a bit intimidated at first, even though we had already visited the booth at Love, taking it for a testspin of its precision. I played a mixture of dubby house, tech house, and some deeper material (ever notice that Soho's "Earth People" beats can be played at any hour of a party?) that got our early arrivals going. The crowd responded to tracks like Instant House's "Awade" and Kerri Chandler's "Out to the Boonies."

At 12:30, the Urban Relief Project came on and proceeded to take the energy in the place way up. Playing their uptempo high-energy blend of latin house, the room exploded as the crowd grew thicker. Channeling a little Todd Terry attitude and some Victor Calderone tribal intensity, Urban Relief's mixes were tight and the pitch built until 3am when Keith Blackstone came on. Keith broke through an even higher level of energy, throwing down hard tribal, new releases difficult to categorize, and favorites like Sotoshi Tomeii's "Love in Traffic."

The staff was wonderful, helpful, and attentive, the sound is hands down one of the best (if not the best) in the city. The warmth and clarity of an analog system has a special vibe to it. Add Love's decor (or lack of?), the staff's knowledge and committment to easthetics in music and nightlife culture, and and an overall good vibe, at moments I felt that spark and possibility of the underground. I question using that word as its come to have its own connotations, but I'm not sure how else to define it. People coming together to enjoy a vibe, music, energy, experience. We didn't have to buy bottle service or worry about what each other is wearing. It felt free (or low) of politics. Everyone seemed more concerned with having a good time.

Earlier this week I was speaking to a friend who commented that partying is back in fashion. Chinstroker techno nerds who would assemble and analyze the production techniques a particular artist used in a track are still doing so, but with beers and women in the vicinity. People want to dance, have a good time, and seek places where problems and preconceived notions are left at home. We deal with so much on a daily basis that most of us have little psychic space. Everything demands cost analysis or consideration against other information, options, and choices. Enjoying music or dance or movement or some other beta-wave activity is liberating to our brains.

Our lives have become more complex. Each time I make that statement I wonder if I'm not dating myself. Those born into this era know no different. Imagine how different their brains must be to that of a 50 year old or even someone 28. Therefore, what may become our distinctive markings in time is not our life experience, but that invisible but palpatable "vibe" a person's energy. That signal is more or less stable over a lifetime. Trauma and other difficult or disciplined events can alter it to a degree, but it seems most people are consistent and their basic nature is unchanged.

It's this basic nature that we use when we communicate via music or dance. It was comforting and encouraging to perceive that at Love this past Sunday. Hugs and respect to my stimulus family Silverbull, Keith, and Sean & John.

Thursday, May 25, 2006

**EMan live at Deep See

This mix is from after Christy Love's set on Tuesday May 23. EMan starts out with that "Whistle Song" remix everyone is playing. It's now about 2:10am and EMan plays until I come on around 3:30 with "Season of Love" by Blaze.

right click to "save as" and enjoy!


Greg Gray will be spinning at Deep See with us on Tuesday May 30th.

Greg will be in town from Chicago where he is one of the members of the Nu Bang Clan.

I hope some of Greg's people come out to hear him. They will hear how we are getting down at Deep See! It's not your average party...

Wednesday, May 24, 2006


**live at deep see


this mix starts out with a song or two from a jay locke mix CD that eman had put in to open the night. i start with a track called "seducer" on iRecords and just get deeper and chuggier from there. tempos are low here but the vibe is tight. christy love (stank) comes on around 1 hour 28 minutes of this mix, about 12:45am. her style is funky house with some sass thrown in like 90s bitch tracks! nearly 3 hours of deep see on one file and great music throughout!

Right click and "save as" to download. 052306_deepseelive

Tuesday, May 23, 2006

Quentin Harris & Danny Tenaglia at Cielo 5/21/06

I am pasting this review of Quentin Harris and Danny Tenaglia at Cielo for Benny Soto's birthday at the "Fresh Fruit" party. It was written by my friend Julian aka DJ 138. The review conveys his excitement over the DRAMA both DJs brought in their sets. Why DRAMA? Drama in a DJ set is tension, story, up & down, left & right, movement, suspense, release. Drama is that quality that keeps you engaged in a DJ set, keeps you waiting for the next track, the next peak, the next drop. It is mastery over technique and narrative. Drama is a special and rare quality for DJs to have. You know it when you hear it. Thanks for the review, Julian.

=

great, GREAT fucking party.

Standard packed Cielo crowd. Lotsa hot women. Smattering of heads. Great vibe in the room.

They had an outlandish 12-tier bright orange layer cake in the shape of an aztec pyramid covered in fresh fruit behind a velevet rope next to the DJ booth for Benny's birthday.

Quentin played really well. Mad energy, as always, and he's really steppped up his DRAMA skills - A dying art among DJs, if there ever was one. He tore the roof off with "Haunted", causing wild screams and raucous demands to BRING THAT SHIT BACK, which suprisingly enough, he promptly did, bringing the floor to a frenzy yet again.

He turned it over to Danny Tenaglia at about 12:30, with a packed house teeming with anticipation. There was most definitely a "history in the making" vibe in the air. In typical Danny fashion, he immediately killed the music, picked up the mic, and spoke very candidly about his love for Quentin and how he was all nervous having to represent amongst the likes of Quentin, Danny Krivit, Joe Clausell, Louie Vega, Kenny Dope, Frankie Feliciano and all the other DJs that had shown up to see one of their original soldiers go back to his roots. and then he TORE THE PLACE TO SHREDS. Countless classics. Back to back. As good as only the handful of true masters like Danny or Louie can do it. Flawless mixing. Tons of dramatic pauses, anthemic build ups, piano breakdowns, and acapella intros. He didn't miss a step. The crowd was thrilled. highlights for me were "Comin' On Strong" (NOBODY plays this record anymore!), "Never No More Lonely", a nice remix of "Bra", and some ridiculous old track that looped the NYC Peech Boys acapella endlessly (ID? Anyone?). So much fun. Towards the end he did some truly bugged out shit with the "Follow Me" instrumental and the "Finally" acapella, where he somehow dropped the vocals by an octave or two, to where it sounded like a man was singing. Not sure if he was doing this live on a laptop or what but it was fucking nuts. Just when the crowd was fucking losing their minds he brought in a hip hop break and stretched the vocals out over that all chopped up at 90 bpm. People went ballistic. All I can say is, you missed a great fucking party. Props to Benny and Quentin for making it happen.

=

For the full thread, which includes some interesting comments on DJ sets with drama and "deep house" vs. "big room" splits in the late 1990s NYC house scene, click here.

Friday, May 19, 2006

Lord G will be the guest at our next Beyond event at APT. Lord G's known for a latin take on house music. He's a bit harder than Todd Terry or Louie Vega, not as tribal as someone like Vibe, and he's definitely got some roots in the Morales vocal/disco/soulful side. If you'd like to know a bit more about Lord G, check out this link:

The Montreal Mirror

In 2000, Lord G released a "Mix the Vibe" compilation for KingStreet Sounds' series by the same name. Here's the track listing for Lord G's "Mix the Vibe: Tribal Journey."

1. Beginning, The - Mike Ski
2. Vibe PM - Monde Grosso (King Street mix)
3. House Music - 7 (ALternate mix)
4. Power, The - 7 (Cevin's Hard Power mix)
5. Sound, The - Pump Friction (Club Mix & Ralphie's Club mix)
6. Don't Stop - Level 9 (s mix, The Nuke 12" & Bonus Krash)
7. Drama On The Dance Floor - Hideki/Paul E Alexander (Shunji's Plastic Drama mix)
8. Beat The Drum - (Original mix)
9. New York, New York - Cevin Fisher (East Coast Stomp)
10. Rumba Samb - Jason Van Nevins (The Caribbean mix)
11. Party Girl - Ultra Nate (Hard Shell)
12. Funk It (Funk It Beats) - Ralphi Rosario
13. I'll Keep Coming Back - Divas Of Color/Chanelle (Vicious Hard remix)
14. Only You - Kimara Lovelace (Danny's Twilo Mix & Phillip's Sub Beats)
15. Cascades Of Color - Ananda Project/Gaelle Adisson
16. Work It Out - Richard Jacques/Dee Dee Brave (Saffron mix)
17. Show Me - Urban Soul (Def Mix Club)
18. Latin Vibe, A - Lord G (Lord G's Vibe mix)


It's also going to be Lord G's birthday party, so it should be fun, as birthday parties usually are when you involve DJs, guest lists, and liquor!

DJ Pierre at BEYOND, Thursday May 18

DJ Pierre
played an amazing set last night. I haven't had such a good time at my own party in a looong time. Parties and DJ-centric events I play at or go to start to become business. The fun and freedom of just dancing in a corner come less and less often. Maybe because we're still "breaking in" APT for Beyond, but however it happened, it was a great party and Pierre got the crowd whooping, whistling, and yes, banging on the walls. Now THAT is a good party. I recorded the night on my trusty handy-dandy iAudio, so with Pierre's ok, I'll be posting that set up soon.





edit: I messed up the recording process somehow and in my haste, probably didn't patch in to the correct inputs on the mixer. So there will be no Pierre DJ mix toniiiiight...

Thursday, May 18, 2006

**Listen...music...

I didn't write it or make any of it. I just DJ'd it. Right click and "save as" to download these mixes to your hard drive.

This is me live at Deep See, but I don't know the date. It starts out with a Geoff Gaines tune called "The Hook" and is a bit dubby/chill the first few tracks then picks up into a harder tech sound.

This one is me live at Deep See on 5/16/06. It starts with this dope jam from the Seed Records dudes out of Providence, RI. The mix moves around a lot: latin, deep, dubby, techy.

In the promotion for our upcoming stimulus > response gig, the promoting brains of the operation Silverbull asked all the DJs "who do you sound like" so he could compare us to other DJs so potential party-goers could know what they're in for. We have tried several matches for me, but so far none fit all the way. I guess I just sound like me! *pats self on back*



Click the flyer for more info on the party